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2012
Castro Florez, Fernando. “El Tejido De La Existencia De Pae White,” ABC
Cutural. January 20 2024.
R. Fdez. “Un tiempo artesano,” La Razon. Feburary 2 2024
Bergman, Anne. “Introducing…Qwalala,” CMC. Spring 2024. pp. 4-5.
Greenberg, Kerryn (editor). Auckland Art Gallery Catalogue. “Light From Tate: 1700s to Now.” New Zealand. Tate Publishing. 2022. pp. 160-163. Print. 2023.
Bravo, Tony. “Review: S.F. gallery showcases otherworldly works by 2 Bay Area artists,” SF Chronicle. February 5 2023. Online. ︎︎︎
Cascone, Sarah. “Sculptor and Tapestry Weaver Pae White on Finding the Perfect L.A. Studio, and the Artist Ex Whose Works Still Fill It,” Artnet. January 24 2023. Online. ︎︎︎
Booth, Edward. “Four finalists chosen for Napa roundabout public art project,” Napa Valley Register. January 26 2022. Online. ︎︎︎
Lutz, Leora. “San Francisco’s Fog art fair returns with rapid sales of tangible works and rising interest in the digital,” The Art Newspaper. January 21 2022. Online. ︎︎︎
Michael Majerus. Published by DCV, 2022. Illus. p. 284
Knight, Christopher. “The Cube Redefined,” Los Angeles Times. November 21 2021. Print.
STPI Catalogue. “Pae White: Friendship is Magic”. Singapore. STPI. 2021.
Marius, Marley. “Set Against the Crashing Waves of the Pacific, a NewArt Exhibition Takes on the Climate Crisis,” Vogue. November 5 2021. Online. ︎︎︎
Museum Folkwang and contributors. “Pae White: Foreverago”, Global Groove; Art, Dance, Performance & Protest. Germany. Hirmir Publishers. 2021. pp. 38-41. Print.
Westall, Mark. “First Permament Public Works in London from Ugo Rondinone, Pae White & Catherine Yass Coming to Paddington Square,” FAD Magazine. 28 October 2021. Online. ︎︎︎
Harris, Gareth. “Installations and murals by Ugo Rondinone and Pae White to be unveiled in major revamp of London’s Paddington Station,” The Art Newspaper. 27 October 2021. Online. ︎︎︎
“A Series of London Firsts as Paddington Square Announces Major Public Arts Programme,” London Post. 21 October 2021. Online. ︎︎︎
Fogle, Douglas and Editors. DelMonico Books. Making Strange: The Chara Schreyer Collection, New York. DelMonico Books. December 7 2021. pp. 126-127 illus.
Alexius Chia, Brandon. “Uncover the power of friendship at Pae White’s solo exhibition”. BURO 24/7. August 19 2021. Online.
“Things to do this week.” A List. August 2021. Online.
Kumarasen, Keerthana. “5 Things to do in Singapore this Week.” City Nomads. August 2021. Online.
“Friendship is Magic – Pae White.” Dodooba. August 2021. Online.
Nurjuwita, Dewi. “Pae White: Friendship is Magic.” Time Out. Singapore. August 2021. Online. ︎︎︎
Bauer, Charlotte. “The Magic of Travel – the flying carpet by Pae White is a symbol of the BER airport. A meeting with the artist.” Berliner Morgenpost. P.10, June 18 2021. Print.
Mannone, Maria. “A musical reading of a contemporary installation and back: mathematical investigations of patterns in Qwalala .” Journal of Mathmetics and Music (Online). illus. Online. ︎︎︎
Spacemenship, catalogue for solo exhibition, Saarland Museum, Saarland, Germany, published by DISTANZ
Le Souffler, exhibition catalogue, Schürmann trifft Ludwig, Ludwig Forum Aachen. illus. pp 196 - 198, 232
70 Years of Art in Architecture in Germany, published by Deutscher Kunstverlag, conceived of by Dr. Ute Chibidziura and Dr. Constanze von Marlin, illus. p. 194
Brand, Madeline & Ta, Amy. “LA artist gives Beverly Center a facelift.” KCRW Online and Podcast. 20 February 2020. Online. ︎︎︎
Beil, Kim. “Pae White:Material History.” Sculpture. January/February 2020: pp 26-37︎︎︎
Forgione, Mary. “On the Beverly Center escalators, art is uplifting.” The Los Angeles Times. 18 January 2020. Online. ︎︎︎
Porter, Jenelle and Editors, Phaidon.Vitamin T: Threads and Textiles in Contemporary Art. London. Phaidon. 2019: pp 284-285 illus.
Dessent, Blair. “Pae White: Attraction Ephemeral.” TL Mag. Autumn/Winter 2019:pp 242-244 illus.
Great Women Artists. London. Phaidon. 2019: pp 429 illus.
Less is a Bore: Maximalist Art & Design. ICA Boston. 2019: pp 199-200 illus.
Sammlung Goetz: Generations; Female Artists in Dialogue Part I, II, III. HATJE CANTZ. 2019:pp.44-45, 49 illus.
“The New Norton Museum of Art.” The Palm Beach Post (Online). 27 January 2019.
Public Art no 6. 2018: pp. 92 illus.
Destination Art: 500 Artworks Worth the Trip.London: Phaidon. 2018: pp 482 illus.
Riefe, Jordan “My Kid Could Do That: Famous Artists Put Their Childhood Drawings on View in LA”. Observer. April 2018. Online. ︎︎︎
Klant, Michael and Walch, Josef. Grundkurs 2. KUNST. Plastik, skulptur, objekt. Braunschweig: Schroedel westermann, 2018: pp 142 illus.
Magdalino, Verity, “Everything worth seeing from Melbourne Design Week 2018.” Vogue Australia. 23 March 2018. Online. ︎︎︎
eus, Camilla. “Die sich die Rauume erobert.”IDEAT. January/February 2018.
Field Guide: A New Museum, An Exhibition, rRemai Modern Exhibition Catalogue. Saskatchewan: rRemai Modern, 2017: pp. 47, 87 illus.
Mayer, Petra and Michael. Light; Mayer'sche Hofkunstanstalt - Mayer of Munich: Steidl. 2017: pp 88, 106 illus.
Triennial; National Gallery of Victoria Exhibition Catalogue. Melbourne: The Council of Trustees of the National Gallery of Victoria, 2017. pp. 322-23, 328, 329, 638-39 illus.
Lorch, Catrin “Die Wucht.” Süddeutsche Zeitung. 13 December 2017. Online. ︎︎︎
Braun, Adrienne. “Musentempel war gestern.” Art. December 2017: pp. 132-133.
Lovell, Sophie. “Art and architecture converge at the Saarland Museum’s new extension.” Wallpaper. 17 November 2017. Online. ︎︎︎
Rea, Naomi. “Pae White on Turning a New Wing of Germany’s Saarlandmuseum Into a Technicolor Spacecraft.”Artnet News. 11 November 2017. Online. ︎︎︎
“Bei Künstlern überm sofa.” Zeit Magazin. 5 Oct 2017: pp 62.illus
Messina, Rab “Pae White’s Qwalala”. TL Magazine. 4 Sept 2017. Online. ︎︎︎
Getlein, Mark. Living with Art. Eleventh Edition. New York: Mcgraw-Hill, 2017 illus.
Brezney, Rob. “Free Will Astrology: Week of July 27th, Scorpio”. Santa Barbara Independent. 27 July 2017: pp 56.
Mclaughlin, J. Stephen. “Gualala River Inspires Venice Glass Installation”, Independent Coast Observer. 4 August 2017: pp. A16.
Qwalala Exhibition catalogue. Köln:Verlag der Buchhandlung Walther Koenig, 2017. illus.
Moro, Michaela. “Critic’s Picks: Pae White at Kaufmann Repetto, Milan”, Art Forum Picks, June 19, 2017. Online. ︎︎︎
Serraller, Francisco Calvo. “Olfato”. El País. March 27, 2017. Online. ︎︎︎
“Planes para ver la semana de otra manera.” Elle España. May 2017. Online. ︎︎︎
Till it’s Gone: Exhibition catalogue, Instanbul: Istanbul Modern, 2016: pp. 152- 157, 153 – 157 illus.
Graves, Jen. “Pae White’s Command-Shift-4 is a Multicolored Sea You Don’t Quite Know how to Enter”, The Stranger. 2 Dec 2016. Online. ︎︎︎
“Artist Pae White”. Sky Delta. February 2016: 78-79.
“Jim Isermann design collaboration.” The Independent Coast Observer. Volume 48. Number 35 (2016) 20.
Weaving & We” Exhibition catalogue, Hangzhou:Zhejiang Art Museum Exhibition Space, 2016.
“CODA Awards” Interior Design. August 2016: p. 91.
A Weed is a Plant Out of Place, Waterford: Lismore Castle Arts, Lismore, 2016: pp. 30-31 illus.
Peter Marino, Art Architecture. New York: Phaidon Press Limited, 2016: 72 – 79, 73 – 79 illus.
Bloch, Judy and Stein, Suzanne. San Francisco Museum of Modern Art 360º, Views on the Collection. San Francisco: San Francisco Museum of Modern Art, 2016: pg 334 – 335 illus.
Zybok, Oliver, “Pae White” Kunstforum International. Febrruary/March 2016:118-131 illus.
“Magnificent Obsession”, the Guardian [London]. 11 Feb 2015
Rosenstock, Ariel. “In Detail, Collaborative Life Sciences Building.” The Architect’s Newspaper 2015: 1,12. Online. ︎︎︎
Artists in Their Time, Instanbul: Istanbul Modern, 2016: 234 – 235.
Loos, Ted. “Vintage Vera.” Traditional Home, September 2015: 72.
“Corriere della Serra.” La Lettura. Milan: 15 Dec 2015 illus cover and p.55
“Pae White and Pleunie Buyink.” Paulette, May/June 2015:78 – 81.
Ng, David. “LAX unveils public art by Ball Nogues, Mark Bradford, and Pae White.” The Los Angeles Times. 1 July 2015. Online. ︎︎︎
Schmidt, Jason, Artists II, Göttingen:Steidl, 2015: 135.
Commercial Building Products. July/August 2015: 50.
“They Spy with their Honed Eye.” The New York Times, February 21, 2015: C1, C6
Magnificent Obsessions, The Artist as Collector. London: The Barbican Centre. 2015: 223 – 229.
Obrist, Hans Ulrich. Mapping it Out. London: Thames and Hudson. 2014: 18-19.
Benedikt, Michael. Curtains, Austin: Center for American Architecture and Design, The University of Austin. 2014: 5, 6
“Remaking Milan.” Wallpaper,May 2014:187.
Bruno, Giuliana. Surface, Matters of Aesthetics, Materiality, and Media. Chicago and London: University of Chicago Press, 2014: 4, 94-96, 104.
“A Picture and a Poem.” New York Times “T” Magazine, August 24, 2014: 208.
Decorum Carpets and Tapestries by Artists.Shanghai: The Power Station of Art , 2014:112 – 113.
“It’s one material trying to understand another.” Artworld. April 2014: 66-69.
La Casa Morbida: Museo Poldi Pezzoli. Mantova: Corraini Edizioni, 2014:152.
Kameon, Judy. Gardens are for Living. New York: Rizzoli. 2014:156-157.
The MOCA Index 2010 – 2013. Los Angeles: The Museum of Contemporary Art, 2014: 15.
Westridge Centennial Art Exhibition. Pasadena: Westridge School, 2014: 66-67.
Myers, Terry. “Pae White’s Welcome Climate Change”, Afterall No. 32: 63 – 71.
Bryant, Eric. “Pae White”, Art & Auction,July 2013: 62 – 66.
Lane, Mary M., “Pieces that Reside ‘On the Edge of the Sublime”, The Wall Street Journal, 5 January 2013: C14.
Happy Birthday Galerie Perrotin, Paris:Beaux Arts editions, 2013: 89.
Someday is Now, The Art of Corita Kent, p. 157
Filler, Martin. “The Risk of Being Too Nice”, The New York Review of Books, February 7, 2013
“LED-Uhr und bunter Stangenwald sollen Flughafenbild verschönern” Basel Zeitung, Samstag, 7 September 2013, p. 19.
“Eine neue Symbolik furs Dazugehören”, Badische Zeitung, Friday 06.09.2013
Fraune, Von Marco, “Projekte mit Dynamik und Qualität”Marfgräfler Tagblatt
Obrist, Hans Ulrich. DLDarts, Published by Stephanie Czerny and DLD Media GmbH, Munich. 220 illus.
Adamson, Glenn. “Summer Work: The Art of Pae White”, Afterall, No. 32, p. 57 – 61, cover image and 54, 55, 56, 59 and 60 illus
Kröner, Magdalena. “Kunst aus Kalifornien”, Frankfurter Allemeine Zeitung, Friday, April 5, 2013 NR. 79 Seite 31 illus.
Kohler, Michael, 'Filigrane Augentäuscherei', Art - Das Kunstmagazin, Heft 4, April 2013, p. 109
“Mardin Biennial”, AGMA, Issue #7 2013, 9 and 14 illus.
Weckesser, Markus, 'Täuschende Gefälligkeit', TAZ. Die Tageszeitung, 08.04.2013.
Seelig, Warren. “An Artworld Under the Spell”, Surface Design, Winter 2013, 34 – 35 illus
Pener, Degen. “The Art and Architecture of the Deal”, The Hollywood Reporter, March 8, 2013, 26 – 29, 26 – 27illus.
Sozanski, Edward J., “Thinking big at Fabric Workshop”,
The Philadelphia Inquirer, Art & Entertainment section, Sunday, April 1, 2012, H9 illus.
Knight, Christopher. “He transformed art of ceramics”, The Los Angeles Times, Saturday, February 25, 2012 p.A1 and A4
Michalska, Julia. “New director rings the changes”, The Art Newspaper, Number 241, Dec. 2012, p. 22
Hyland, Veronique. “Fresh Baguettes”, Elle, 126 illus.
Schedlmayer, Nina, “Drachenkampf in Klöppelspitze”, Profil, November 19, 2012, No. 47, p. 113
The Roundel, Edited by Tamsin Dillon. Art Books Publishing Ltd. United Kingdom. P 118 Illus.
Smith, Roberta. “Promising Tyros Join an Art Fair Club”, The New York Times, Weekend Arts, Friday, March 9, 2012. C23 illus. and C29-C30.
Behold, America! Exhibition catalogue. Museum of Contemporary Art San Diego, The San Diego Museum of Art and the Timken Museum of Art, Edited by Amy Galpin. 330 illus
Chang, Jay. “Machine histories”, Metropolis, December 2012, p. 46 - 49, p. 48 illus.
Lehner-Jobst, Claudia. “Die Individualität der Moderne”, Parnass, November 2012, p. 127
Strobl, Ernst P. “Zur Ruhe gebettete Geschichte im MAK”, Salzburger Nachrichten, November 21, 2012
Colman, David O. “Ephemeral Beauty”, Architectural Digest, December 2012. 76, illus.
Rayasam, Renuka. “Number-who-knows-when for takeoff”, Los Angeles Times, Friday November 8, 2012 A8
Borchhardt-Birbaumer, Bridgette. “Rückkehr aus dem Depot”, Wiener Zeitung, November 21, 2012 p. 27
Kronsteiner, Olga. “Eine für das Verständnis geboten Dichte”, Der Standard, Nivember 21, 2012
Print/Out, exhibition catalogue. Cristopher Cherix. The Museum of Modern Art, NY. 47, 88, 104, 107, 152, 227.
Matzner, Alexandra. “Neuaufstellung “Wien 1900” und eine Intervention von Pae White “Others”, Vernissage, No. 308 December – January, 2012, 4 - 8.
R. Fdez. “Un tiempo artesano,” La Razon. Feburary 2 2024
Bergman, Anne. “Introducing…Qwalala,” CMC. Spring 2024. pp. 4-5.
Greenberg, Kerryn (editor). Auckland Art Gallery Catalogue. “Light From Tate: 1700s to Now.” New Zealand. Tate Publishing. 2022. pp. 160-163. Print. 2023.
Bravo, Tony. “Review: S.F. gallery showcases otherworldly works by 2 Bay Area artists,” SF Chronicle. February 5 2023. Online. ︎︎︎
Cascone, Sarah. “Sculptor and Tapestry Weaver Pae White on Finding the Perfect L.A. Studio, and the Artist Ex Whose Works Still Fill It,” Artnet. January 24 2023. Online. ︎︎︎
Booth, Edward. “Four finalists chosen for Napa roundabout public art project,” Napa Valley Register. January 26 2022. Online. ︎︎︎
Lutz, Leora. “San Francisco’s Fog art fair returns with rapid sales of tangible works and rising interest in the digital,” The Art Newspaper. January 21 2022. Online. ︎︎︎
Michael Majerus. Published by DCV, 2022. Illus. p. 284
Knight, Christopher. “The Cube Redefined,” Los Angeles Times. November 21 2021. Print.
STPI Catalogue. “Pae White: Friendship is Magic”. Singapore. STPI. 2021.
Marius, Marley. “Set Against the Crashing Waves of the Pacific, a NewArt Exhibition Takes on the Climate Crisis,” Vogue. November 5 2021. Online. ︎︎︎
Museum Folkwang and contributors. “Pae White: Foreverago”, Global Groove; Art, Dance, Performance & Protest. Germany. Hirmir Publishers. 2021. pp. 38-41. Print.
Westall, Mark. “First Permament Public Works in London from Ugo Rondinone, Pae White & Catherine Yass Coming to Paddington Square,” FAD Magazine. 28 October 2021. Online. ︎︎︎
Harris, Gareth. “Installations and murals by Ugo Rondinone and Pae White to be unveiled in major revamp of London’s Paddington Station,” The Art Newspaper. 27 October 2021. Online. ︎︎︎
“A Series of London Firsts as Paddington Square Announces Major Public Arts Programme,” London Post. 21 October 2021. Online. ︎︎︎
Fogle, Douglas and Editors. DelMonico Books. Making Strange: The Chara Schreyer Collection, New York. DelMonico Books. December 7 2021. pp. 126-127 illus.
Alexius Chia, Brandon. “Uncover the power of friendship at Pae White’s solo exhibition”. BURO 24/7. August 19 2021. Online.
“Things to do this week.” A List. August 2021. Online.
Kumarasen, Keerthana. “5 Things to do in Singapore this Week.” City Nomads. August 2021. Online.
“Friendship is Magic – Pae White.” Dodooba. August 2021. Online.
Nurjuwita, Dewi. “Pae White: Friendship is Magic.” Time Out. Singapore. August 2021. Online. ︎︎︎
Bauer, Charlotte. “The Magic of Travel – the flying carpet by Pae White is a symbol of the BER airport. A meeting with the artist.” Berliner Morgenpost. P.10, June 18 2021. Print.
Mannone, Maria. “A musical reading of a contemporary installation and back: mathematical investigations of patterns in Qwalala .” Journal of Mathmetics and Music (Online). illus. Online. ︎︎︎
Spacemenship, catalogue for solo exhibition, Saarland Museum, Saarland, Germany, published by DISTANZ
Le Souffler, exhibition catalogue, Schürmann trifft Ludwig, Ludwig Forum Aachen. illus. pp 196 - 198, 232
70 Years of Art in Architecture in Germany, published by Deutscher Kunstverlag, conceived of by Dr. Ute Chibidziura and Dr. Constanze von Marlin, illus. p. 194
Brand, Madeline & Ta, Amy. “LA artist gives Beverly Center a facelift.” KCRW Online and Podcast. 20 February 2020. Online. ︎︎︎
Beil, Kim. “Pae White:Material History.” Sculpture. January/February 2020: pp 26-37︎︎︎
Forgione, Mary. “On the Beverly Center escalators, art is uplifting.” The Los Angeles Times. 18 January 2020. Online. ︎︎︎
Porter, Jenelle and Editors, Phaidon.Vitamin T: Threads and Textiles in Contemporary Art. London. Phaidon. 2019: pp 284-285 illus.
Dessent, Blair. “Pae White: Attraction Ephemeral.” TL Mag. Autumn/Winter 2019:pp 242-244 illus.
Great Women Artists. London. Phaidon. 2019: pp 429 illus.
Less is a Bore: Maximalist Art & Design. ICA Boston. 2019: pp 199-200 illus.
Sammlung Goetz: Generations; Female Artists in Dialogue Part I, II, III. HATJE CANTZ. 2019:pp.44-45, 49 illus.
“The New Norton Museum of Art.” The Palm Beach Post (Online). 27 January 2019.
Public Art no 6. 2018: pp. 92 illus.
Destination Art: 500 Artworks Worth the Trip.London: Phaidon. 2018: pp 482 illus.
Riefe, Jordan “My Kid Could Do That: Famous Artists Put Their Childhood Drawings on View in LA”. Observer. April 2018. Online. ︎︎︎
Klant, Michael and Walch, Josef. Grundkurs 2. KUNST. Plastik, skulptur, objekt. Braunschweig: Schroedel westermann, 2018: pp 142 illus.
Magdalino, Verity, “Everything worth seeing from Melbourne Design Week 2018.” Vogue Australia. 23 March 2018. Online. ︎︎︎
eus, Camilla. “Die sich die Rauume erobert.”IDEAT. January/February 2018.
Field Guide: A New Museum, An Exhibition, rRemai Modern Exhibition Catalogue. Saskatchewan: rRemai Modern, 2017: pp. 47, 87 illus.
Mayer, Petra and Michael. Light; Mayer'sche Hofkunstanstalt - Mayer of Munich: Steidl. 2017: pp 88, 106 illus.
Triennial; National Gallery of Victoria Exhibition Catalogue. Melbourne: The Council of Trustees of the National Gallery of Victoria, 2017. pp. 322-23, 328, 329, 638-39 illus.
Lorch, Catrin “Die Wucht.” Süddeutsche Zeitung. 13 December 2017. Online. ︎︎︎
Braun, Adrienne. “Musentempel war gestern.” Art. December 2017: pp. 132-133.
Lovell, Sophie. “Art and architecture converge at the Saarland Museum’s new extension.” Wallpaper. 17 November 2017. Online. ︎︎︎
Rea, Naomi. “Pae White on Turning a New Wing of Germany’s Saarlandmuseum Into a Technicolor Spacecraft.”Artnet News. 11 November 2017. Online. ︎︎︎
“Bei Künstlern überm sofa.” Zeit Magazin. 5 Oct 2017: pp 62.illus
Messina, Rab “Pae White’s Qwalala”. TL Magazine. 4 Sept 2017. Online. ︎︎︎
Getlein, Mark. Living with Art. Eleventh Edition. New York: Mcgraw-Hill, 2017 illus.
Brezney, Rob. “Free Will Astrology: Week of July 27th, Scorpio”. Santa Barbara Independent. 27 July 2017: pp 56.
Mclaughlin, J. Stephen. “Gualala River Inspires Venice Glass Installation”, Independent Coast Observer. 4 August 2017: pp. A16.
Qwalala Exhibition catalogue. Köln:Verlag der Buchhandlung Walther Koenig, 2017. illus.
Moro, Michaela. “Critic’s Picks: Pae White at Kaufmann Repetto, Milan”, Art Forum Picks, June 19, 2017. Online. ︎︎︎
Serraller, Francisco Calvo. “Olfato”. El País. March 27, 2017. Online. ︎︎︎
“Planes para ver la semana de otra manera.” Elle España. May 2017. Online. ︎︎︎
Till it’s Gone: Exhibition catalogue, Instanbul: Istanbul Modern, 2016: pp. 152- 157, 153 – 157 illus.
Graves, Jen. “Pae White’s Command-Shift-4 is a Multicolored Sea You Don’t Quite Know how to Enter”, The Stranger. 2 Dec 2016. Online. ︎︎︎
“Artist Pae White”. Sky Delta. February 2016: 78-79.
“Jim Isermann design collaboration.” The Independent Coast Observer. Volume 48. Number 35 (2016) 20.
Weaving & We” Exhibition catalogue, Hangzhou:Zhejiang Art Museum Exhibition Space, 2016.
“CODA Awards” Interior Design. August 2016: p. 91.
A Weed is a Plant Out of Place, Waterford: Lismore Castle Arts, Lismore, 2016: pp. 30-31 illus.
Peter Marino, Art Architecture. New York: Phaidon Press Limited, 2016: 72 – 79, 73 – 79 illus.
Bloch, Judy and Stein, Suzanne. San Francisco Museum of Modern Art 360º, Views on the Collection. San Francisco: San Francisco Museum of Modern Art, 2016: pg 334 – 335 illus.
Zybok, Oliver, “Pae White” Kunstforum International. Febrruary/March 2016:118-131 illus.
“Magnificent Obsession”, the Guardian [London]. 11 Feb 2015
Rosenstock, Ariel. “In Detail, Collaborative Life Sciences Building.” The Architect’s Newspaper 2015: 1,12. Online. ︎︎︎
Artists in Their Time, Instanbul: Istanbul Modern, 2016: 234 – 235.
Loos, Ted. “Vintage Vera.” Traditional Home, September 2015: 72.
“Corriere della Serra.” La Lettura. Milan: 15 Dec 2015 illus cover and p.55
“Pae White and Pleunie Buyink.” Paulette, May/June 2015:78 – 81.
Ng, David. “LAX unveils public art by Ball Nogues, Mark Bradford, and Pae White.” The Los Angeles Times. 1 July 2015. Online. ︎︎︎
Schmidt, Jason, Artists II, Göttingen:Steidl, 2015: 135.
Commercial Building Products. July/August 2015: 50.
“They Spy with their Honed Eye.” The New York Times, February 21, 2015: C1, C6
Magnificent Obsessions, The Artist as Collector. London: The Barbican Centre. 2015: 223 – 229.
Obrist, Hans Ulrich. Mapping it Out. London: Thames and Hudson. 2014: 18-19.
Benedikt, Michael. Curtains, Austin: Center for American Architecture and Design, The University of Austin. 2014: 5, 6
“Remaking Milan.” Wallpaper,May 2014:187.
Bruno, Giuliana. Surface, Matters of Aesthetics, Materiality, and Media. Chicago and London: University of Chicago Press, 2014: 4, 94-96, 104.
“A Picture and a Poem.” New York Times “T” Magazine, August 24, 2014: 208.
Decorum Carpets and Tapestries by Artists.Shanghai: The Power Station of Art , 2014:112 – 113.
“It’s one material trying to understand another.” Artworld. April 2014: 66-69.
La Casa Morbida: Museo Poldi Pezzoli. Mantova: Corraini Edizioni, 2014:152.
Kameon, Judy. Gardens are for Living. New York: Rizzoli. 2014:156-157.
The MOCA Index 2010 – 2013. Los Angeles: The Museum of Contemporary Art, 2014: 15.
Westridge Centennial Art Exhibition. Pasadena: Westridge School, 2014: 66-67.
Myers, Terry. “Pae White’s Welcome Climate Change”, Afterall No. 32: 63 – 71.
Bryant, Eric. “Pae White”, Art & Auction,July 2013: 62 – 66.
Lane, Mary M., “Pieces that Reside ‘On the Edge of the Sublime”, The Wall Street Journal, 5 January 2013: C14.
Happy Birthday Galerie Perrotin, Paris:Beaux Arts editions, 2013: 89.
Someday is Now, The Art of Corita Kent, p. 157
Filler, Martin. “The Risk of Being Too Nice”, The New York Review of Books, February 7, 2013
“LED-Uhr und bunter Stangenwald sollen Flughafenbild verschönern” Basel Zeitung, Samstag, 7 September 2013, p. 19.
“Eine neue Symbolik furs Dazugehören”, Badische Zeitung, Friday 06.09.2013
Fraune, Von Marco, “Projekte mit Dynamik und Qualität”Marfgräfler Tagblatt
Obrist, Hans Ulrich. DLDarts, Published by Stephanie Czerny and DLD Media GmbH, Munich. 220 illus.
Adamson, Glenn. “Summer Work: The Art of Pae White”, Afterall, No. 32, p. 57 – 61, cover image and 54, 55, 56, 59 and 60 illus
Kröner, Magdalena. “Kunst aus Kalifornien”, Frankfurter Allemeine Zeitung, Friday, April 5, 2013 NR. 79 Seite 31 illus.
Kohler, Michael, 'Filigrane Augentäuscherei', Art - Das Kunstmagazin, Heft 4, April 2013, p. 109
“Mardin Biennial”, AGMA, Issue #7 2013, 9 and 14 illus.
Weckesser, Markus, 'Täuschende Gefälligkeit', TAZ. Die Tageszeitung, 08.04.2013.
Seelig, Warren. “An Artworld Under the Spell”, Surface Design, Winter 2013, 34 – 35 illus
Pener, Degen. “The Art and Architecture of the Deal”, The Hollywood Reporter, March 8, 2013, 26 – 29, 26 – 27illus.
Sozanski, Edward J., “Thinking big at Fabric Workshop”,
The Philadelphia Inquirer, Art & Entertainment section, Sunday, April 1, 2012, H9 illus.
Knight, Christopher. “He transformed art of ceramics”, The Los Angeles Times, Saturday, February 25, 2012 p.A1 and A4
Michalska, Julia. “New director rings the changes”, The Art Newspaper, Number 241, Dec. 2012, p. 22
Hyland, Veronique. “Fresh Baguettes”, Elle, 126 illus.
Schedlmayer, Nina, “Drachenkampf in Klöppelspitze”, Profil, November 19, 2012, No. 47, p. 113
The Roundel, Edited by Tamsin Dillon. Art Books Publishing Ltd. United Kingdom. P 118 Illus.
Smith, Roberta. “Promising Tyros Join an Art Fair Club”, The New York Times, Weekend Arts, Friday, March 9, 2012. C23 illus. and C29-C30.
Behold, America! Exhibition catalogue. Museum of Contemporary Art San Diego, The San Diego Museum of Art and the Timken Museum of Art, Edited by Amy Galpin. 330 illus
Chang, Jay. “Machine histories”, Metropolis, December 2012, p. 46 - 49, p. 48 illus.
Lehner-Jobst, Claudia. “Die Individualität der Moderne”, Parnass, November 2012, p. 127
Strobl, Ernst P. “Zur Ruhe gebettete Geschichte im MAK”, Salzburger Nachrichten, November 21, 2012
Colman, David O. “Ephemeral Beauty”, Architectural Digest, December 2012. 76, illus.
Rayasam, Renuka. “Number-who-knows-when for takeoff”, Los Angeles Times, Friday November 8, 2012 A8
Borchhardt-Birbaumer, Bridgette. “Rückkehr aus dem Depot”, Wiener Zeitung, November 21, 2012 p. 27
Kronsteiner, Olga. “Eine für das Verständnis geboten Dichte”, Der Standard, Nivember 21, 2012
Print/Out, exhibition catalogue. Cristopher Cherix. The Museum of Modern Art, NY. 47, 88, 104, 107, 152, 227.
Matzner, Alexandra. “Neuaufstellung “Wien 1900” und eine Intervention von Pae White “Others”, Vernissage, No. 308 December – January, 2012, 4 - 8.